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Return to Dance

Bacardi is Putting The Spotlight Back on Dance at the 2026 VMAs

Dance has long been central to how music becomes visual culture. Michael Jackson’s Thriller, Madonna’s Vogue, Jamiroquai’s Virtual Insanity and Beyoncé’s Single Ladies are just a few of the iconic music videos that turned choreography into an essential part of the song itself.

For years, the “Best Dance” award at the MTV Video Music Awards served as a marquee recognition for the artists shaping dance music and culture. As the VMAs expanded to reflect new genres and shifts in the industry, however, the category eventually disappeared from the lineup.

Now, for the first time in seven years, BACARDÍ is bringing Best Dance back. Its return comes as dance has found new momentum both on-screen and off. On social platforms, choreography can help a song break through, spread and invite millions of fans to participate, while the resurgence of live music, nightlife, festivals and day parties is giving people more reasons to dance together in person. BACARDÍ saw an opportunity to bring that cultural role back into focus, reviving Best Dance at a moment when movement is once again shaping how music travels, connects people and shows up in culture.

 

We're Finding New Ways to Gather Around Music

Music has always been social, but the settings around it continue to evolve. Daytime parties, morning raves and other alternatives to traditional nightlife are creating new occasions for people to gather. Among Gen Z, attendance at daytime music events, parties and club gatherings increased 44% year-over-year. (Eventbrite, 2025)

That interest is about more than the event itself. 77% of fans say the crowd makes them feel part of something bigger than themselves. (Live Nation, 2025) Live music creates an experience that is difficult to replicate alone: people are hearing the same song, reacting in real time and participating in the same moment.

Dance takes that participation a step further. Rather than simply listening, people can respond physically to the music, whether that happens at a club, a festival, a party or at home.

The ways people participate in dance have expanded far beyond the traditional dance floor. A routine can start online and end up onstage: take for example Charli xcx’s viral “Apple” dance, which spread across TikTok before becoming part of live festival culture at Primavera Sound. Or it can move in the opposite direction: Tyla’s “Water” choreography grew out of her live performances before fans recreated it in more than 500,000 TikTok videos. Dance now moves easily between stages, screens and communities, giving more people a way to take part rather than simply watch.

 

Dance Travels Easily

One reason dance continues to have broad appeal is that it doesn’t depend on language or background in the same way other forms of expression can. People do not need to know the lyrics, the artist or even the choreography to participate.

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That makes dance particularly easy to share. A movement can be learned, adapted and passed on quickly, whether between friends, across generations or through social media. The same song or dance can take on different meanings in different places while still giving people a common point of connection.

 

“The feeling is what connects us together… because we all have a mutual feeling for the love of dancing…It makes us all connect” -Female, 25 

 

As dance continues to move across platforms, cultures and generations, it remains one of the most accessible ways for people to express their love of music.

 

Return to Dance

For BACARDÍ, bringing Best Dance back is a natural extension of what the brand has long stood for. Through its global “Do What Moves You” platform, BACARDÍ has championed the power of music, rhythm and movement to bring people together. As dance takes on renewed relevance across live music, nightlife and social conversation, the brand recognized an opportunity to put the category back in the spotlight—celebrating the artists pushing dance forward and the fans who turn music into something shared, participatory and universal.

 

Sources: Paramount Dance Survey (2026)

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