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The 1960's

The 1960's

The 33rd ACADEMY AWARDS: 1960

It Started in Naples

  • ART DIRECTION (Color) -- Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, Arrigo Breschi

Psycho

  • ACTRESS IN A SUPPORTING ROLE -- Janet Leigh {"Marion Crane"}
  • ART DIRECTION (Black-and-White) -- Art Direction: Joseph Hurley, Robert Clatworthy; Set Decoration: George Milo
  • CINEMATOGRAPHY (Black-and-White) -- John L. Russell
  • DIRECTING -- Alfred Hitchcock

A Sport Is Born

  • SHORT SUBJECT (Live Action) -- Leslie Winik, Producer

Visit to a Small Planet

  • ART DIRECTION (Black-and-White) -- Art Direction: Hal Pereira, Walter Tyler; Set Decoration: Sam Comer, Arthur Krams

 

 

The 34th ACADEMY AWARDS: 1961

Breakfast at Tiffany's

  • ACTRESS -- Audrey Hepburn {"Holly Golightly"} 
  • ART DIRECTION (Color) -- Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, Ray Moyer 
  • Winner: MUSIC (Music Score of a Dramatic or Comedy Picture) -- Henry Mancini 
  • Winner: MUSIC (Song) -- "Moon River," Music by Henry Mancini; Lyrics by Johnny Mercer 
  • WRITING (Screenplay--based on material from another medium) -- George Axelrod

One-Eyed Jacks

  • CINEMATOGRAPHY (Color) -- Charles Lang, Jr.

Summer and Smoke

  • ACTRESS -- Geraldine Page {"Alma Winemiller"} 
  • ACTRESS IN A SUPPORTING ROLE -- Una Merkel {"Mrs. Winemiller"} 
  • ART DIRECTION (Color) -- Art Direction: Hal Pereira, Walter Tyler; Set Decoration: Sam Comer, Arthur Krams 
  • MUSIC (Music Score of a Dramatic or Comedy Picture) -- Elmer Bernstein

 

 

The 35th ACADEMY AWARDS: 1962

Hatari!

  • CINEMATOGRAPHY (Color) -- Russell Harlan

The Man Who Shot Liberty Valance

  • COSTUME DESIGN (Black-and-White) -- Edith Head

My Geisha

  • COSTUME DESIGN (Color) -- Edith Head

The Pigeon That Took Rome

  • ART DIRECTION (Black-and-White) -- Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, Frank R. McKelvy

 

 

The 36th ACADEMY AWARDS: 1963

Come Blow Your Horn

  • ART DIRECTION (Color) -- Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, James Payne

Hud

  • ACTOR -- Paul Newman {"Hud Bannon"} 
  • Winner: ACTOR IN A SUPPORTING ROLE -- Melvyn Douglas {"Homer Bannon"} 
  • Winner: ACTRESS -- Patricia Neal {"Alma"} 
  • ART DIRECTION (Black-and-White) -- Art Direction: Hal Pereira, Tambi Larsen; Set Decoration: Sam Comer, Robert Benton 
  • Winner: CINEMATOGRAPHY (Black-and-White) -- James Wong Howe 
  • DIRECTING -- Martin Ritt 
  • WRITING (Screenplay--based on material from another medium) -- Irving Ravetch, Harriet Frank, Jr.

Love with the Proper Stranger

  • ACTRESS -- Natalie Wood {"Angie"} 
  • ART DIRECTION (Black-and-White) -- Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, Grace Gregory CINEMATOGRAPHY (Black-and-White) -- Milton Krasner 
  • COSTUME DESIGN (Black-and-White) -- Edith Head 
  • WRITING (Story and Screenplay--written directly for the screen) -- Arnold Schulman

A New Kind of Love

  • COSTUME DESIGN (Color) -- Edith Head

Papa's Delicate Condition

  • Winner: MUSIC (Song) -- "Call Me Irresponsible," Music by James Van Heusen; Lyrics by Sammy Cahn 
  • MUSIC (Scoring of Music--adaptation or treatment) -- Leith Stevens

Wives and Lovers

  • COSTUME DESIGN (Black-and-White) -- Edith Head

 

 

The 37th ACADEMY AWARDS: 1964

Becket

  • ACTOR -- Richard Burton {"Thomas Becket"} 
  • ACTOR -- Peter O'Toole {"King Henry II"} 
  • ACTOR IN A SUPPORTING ROLE -- John Gielgud {"King Louis VII of France"} ART DIRECTION (Color) -- Art Direction: John Bryan, Maurice Carter; Set Decoration: Patrick McLoughlin, Robert Cartwright 
  • CINEMATOGRAPHY (Color) -- Geoffrey Unsworth 
  • COSTUME DESIGN (Color) -- Margaret Furse 
  • DIRECTING -- Peter Glenville 
  • FILM EDITING -- Anne Coates 
  • MUSIC (Music Score--substantially original) -- Laurence Rosenthal 
  • BEST PICTURE -- Hal B. Wallis, Producer SOUND -- Shepperton Studio Sound Department, John Cox, Sound Director 
  • Winner: WRITING (Screenplay--based on material from another medium) -- Edward Anhalt

The Fall of the Roman Empire

  • MUSIC (Music Score--substantially original) -- Dimitri Tiomkin

Seven Days in May

  • ACTOR IN A SUPPORTING ROLE -- Edmond O'Brien {"Senator Raymond Clark"} 
  • ART DIRECTION (Black-and-White) -- Art Direction: Cary Odell; Set Decoration: Edward G. Boyle

Where Love Has Gone

  • MUSIC (Song) -- "Where Love Has Gone," Music by James Van Heusen; Lyrics by Sammy Cahn

 

 

The 38th ACADEMY AWARDS: 1965

In Harm's Way

  • CINEMATOGRAPHY (Black-and-White) -- Loyal Griggs

The Slender Thread

  • ART DIRECTION (Black-and-White) -- Art Direction: Hal Pereira, Jack Poplin; Set Decoration: Robert Benton, Joseph Kish 
  • COSTUME DESIGN (Black-and-White) -- Edith Head

The Spy Who Came In from the Cold

  • ACTOR -- Richard Burton {"Alec Leamas"} 
  • ART DIRECTION (Black-and-White) -- Art Direction: Hal Pereira, Tambi Larsen, Edward Marshall; Set Decoration: Josie MacAvin

 

 

The 39th ACADEMY AWARDS: 1966

Alfie 

  • ACTOR -- Michael Caine {"Alfie"} 
  • ACTRESS IN A SUPPORTING ROLE -- Vivien Merchant {"Lily"} 
  • MUSIC (Song) -- "Alfie," Music by Burt Bacharach; Lyrics by Hal David 
  • BEST PICTURE -- Lewis Gilbert, Producer 
  • WRITING (Screenplay--based on material from another medium) -- Bill Naughton

Herb Alpert and the Tijuana Brass Double Feature

  • Winner: SHORT SUBJECT (Cartoon) -- John Hubley and Faith Hubley, Producers

Is Paris Burning?

  • ART DIRECTION (Black-and-White) -- Art Direction: Willy Holt; Set Decoration: Marc Frederix, Pierre Guffroy 
  • CINEMATOGRAPHY (Black-and-White) -- Marcel Grignon

The Naked Prey

  • WRITING (Story and Screenplay--written directly for the screen) -- Clint Johnston, Don Peters

Seconds

  • CINEMATOGRAPHY (Black-and-White) -- James Wong Howe

The Winning Strain

  • SHORT SUBJECT (Live Action) -- Leslie Winik, Producer

 

 

The 40th ACADEMY AWARDS: 1967

Barefoot in the Park

  • ACTRESS IN A SUPPORTING ROLE -- Mildred Natwick {"Mrs. Ethel Banks"}

 

 

The 41st ACADEMY AWARDS: 1968

The Odd Couple

  • FILM EDITING -- Frank Bracht
  • WRITING (Screenplay--based on material from another medium) -- Neil Simon

Romeo and Juliet

  • Winner: CINEMATOGRAPHY -- Pasqualino De Santis 
  • Winner: COSTUME DESIGN -- Danilo Donati 
  • DIRECTING -- Franco Zeffirelli 
  • BEST PICTURE -- Anthony Havelock-Allan and John Brabourne, Producers

Rosemary's Baby

  • Winner: ACTRESS IN A SUPPORTING ROLE -- Ruth Gordon {"Minnie Castevet"} 
  • WRITING (Screenplay--based on material from another medium) -- Roman Polanski

Windy Day

  • SHORT SUBJECT (Cartoon) -- John Hubley and Faith Hubley, Producers

 

 

The 42nd ACADEMY AWARDS: 1969

Goodbye, Columbus

  • WRITING (Screenplay--based on material from another medium) -- Arnold Schulman

Of Men and Demons

  • SHORT SUBJECT (Cartoon) -- John Hubley and Faith Hubley, Producers

Paint Your Wagon

  • MUSIC (Score of a Musical Picture--original or adaptation) -- Adaptation score by Nelson Riddle

The Sterile Cuckoo

  • ACTRESS -- Liza Minnelli {"Pookie Adams"}
  • MUSIC (Song--Original for the Picture) -- "Come Saturday Morning," Music by Fred Karlin; Lyrics by Dory Previn

True Grit

  • Winner: ACTOR -- John Wayne {"Rooster Cogburn"}
  • MUSIC (Song--Original for the Picture) -- "True Grit," Music by Elmer Bernstein; Lyrics by Don Black